Felder Intervention #12 [executed]

- Installation,info [ 告知 ] — s_o @ 26. 4月, 2016

20160425_Felder_4516s
photo by kiyasu [TechnikLAB*]

the pended Felder Intervention #12 was held on 25.04.2016.
360° sound system which has optically / physically reflected by Tokyo skyscrapers.
Jan St. Werner’s ‘Felder’ sounds has reverberated in the middle of Tokyo.

thank you Jan, Kiyasu and all !

天候不順のため延期となっていたインスタレーション『Felder Intervention #12』が、2016年4月25日に実行されました。
望郷の街突き刺さるビル、東京の街に響くfelderサウンド。

Felder Intervention #13

- Installation,info [ 告知 ] — s_o @ 25. 4月, 2016

20160422_fuji_jan_4367_sRGB
photo by kiyasu [TechnikLAB*]

Birds singing, lake waves beating the shore, boat & airplane’s flange noise panning, fishes jump up and water splash around, children throw the stones which leaving widening rings on the water —and Felder sound draw the subtle sound ripple on the water. A miracle Felder moment.

Felder Intervention #12

- Installation,info [ 告知 ] — s_o @ 21. 4月, 2016

Felder_12_cancelled

it began to rain during setup…
schade…

the installation date would be changed. (TBA)

///

Felder Intervention #12は、雨天の為、延期となりました。

セッティング中の雨でした。
無念、、。

代替日程は追ってお知らせします。

eternal return

- Installation,- Media — s_o @ 12. 4月, 2016

eternal return
MMXVI / ACCI BABA, ALL RIGHTS RESERVED.

sound design & compose music for ‘eternal return’ by acci baba.
acoustic drum by Mohammad Reza Mortazavi.

‘eternal return’ is an installation & film artwork conveying a immortal message to mankind to provoke a sense of obligation for the time being. The verse is spoken by an ape represented as an artificial intelligence, speaking out Nietzsche’s philosophical context of ‘superman (übermenschen)’. The film version of this work is mounted on a NASA spacecraft OSIRIS-REx to be launched in September 2016, where it will stay in space for millennia.

///

インスタレーション・映像作品 ‘eternal return’ のサウンドデザインと作曲を担当しました。
>> 詳細 – accibaba.com
>> acoustic Drum by Mohammad Reza Mortazavi.

‘eternal return’ は2016年9月に発射されるNASAの宇宙船OSIRIS-RExに搭載され、
半永久に宇宙空間を漂いながらメッセージを語り続けます。

この時代に生きる人類の行いを見つめ直し、自ら問うきっかけを与える試み。

人工知能として表現された「猿」が哲学者ニーチェの「超人」の一節を読み上げ、
人間性無きシステムへの批判と警笛を鳴らす作品になっています。



eternal return / . – . .-. -. .- .-.. .-. . – ..- .-. -.

This film work will be on board NASA's spacecraft OSIRIS-Rex scheduled to launch on September 8th, 2016, staying in space for millenia.

——

Concept/Art/Film: Acci Baba (JP), http://accibaba.com
Sound Design & Music: sub-tle. (JP), http://sub-tle.com
Acoustic Drum: Mohammad Reza Mortazavi (IR), http://moremo.de
Assistant of Photography: Anthony Salamin (CH), http://anthonysalamin.ch
Production support: Day O Productions, Graffit,LLC

—-Description of the work——

‘eternal return’ conveys a immortal message to mankind to provoke a sense of obligation for the time being.

The artwork has been articulated in a short film based on the actual installation artwork created by Acci Baba. The caption is cited from Friedrich Nietzsche’s ‘Thus Spoke Zarathustra”, where Zarathustra speaks out the context of ‘superman’. In the film, the verse is spoken by an ape inside a TV represented as an artificial intelligence derived from our technological development.

The artwork was realized using an abandoned cathode ray tube TV found on street. By refurbishing, the rubbish returned its life to be used as another purpose. The ape has been displayed in the TV using 3D animation technique, allowing it to speak out verses freely. The artwork plots a question through an ape to indicate our accelerating materialism in our system without the true means of continuum. In order to provide a multidimensional perspective, the artwork metaphorically expresses corresponding elements such as; material and spirit, past and future, beginning and end, devolution and evolution.

The ape is often used as a common icon to resemble our beliefs and intelligence. Hanuman from the ancient India, Sarutahiko from old Shintoism, symbol of Three Wise Monkeys from ancient civilizations. In the Kubrick’s '2001: A Space Odyssey' the ape discovers the usage of tools underlying the birth of our technological era. First ever primate to be out into space was a monkey to investigate the biological effects of space travel. The artwork pays homage toward historically used symbolism and confronts today’s subjects through Nietzsche’s philosophical concepts.

‘eternal return’ gives a moment to think over our behavior and the system that amplifies the endless ego. It concludes its purpose by creating ironic connections between artificial intelligence and the viewer, questioning the zeitgeist in these times of a rapidly shifting paradigms.

Felder

- Installation,info [ 告知 ] — s_o @ 30. 3月, 2016

IMG_5826_web

I’ll take part in ‘Felder’ inventions, according to Jan St. Werner [Mouse on Mars]’ s new album ‘Felder’ from Thrill Jockey Records.
Various artists and performers will be offering unique, individual interpretations of the album.

Thrill Jockey RecordsからリリースされるJan St. Werner [Mouse on Mars]のニューアルバム『Felder』のプロジェクトに参加します。
様々なアーティストやパフォーマーによる”『Felder』サウンドの解釈” が、各国で同時期に展開されます。

Mohammad Reza Mortazavi “TRANSFORMATION” worldwide release

info [ 告知 ] — s_o @ 25. 3月, 2016

mo-transformation-300x300

Worldwide release of Mohammad Reza Mortazavi’s new album “TRANSFORMATION” today.
Recording & Mixing by sub-tle.
I’m happy to take part in this great album producing!

“Drum sound rises on the air, its throb, my heart.
A voice inside the beat says, ‘I know you‘re tired, but come. This is the way’.” (Rumi)

Congratulations, Mohammad ;) !

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レコーディング、ミックスを手がけたMohammad Reza Mortazaviのニューアルバム『Transformation』が本日、ワールドワイド・リリースされました。

素晴らしい作品プロデュースに携わることができて、幸せです。
モハマド、おめでとう。

完全にどっかもってかれる音世界へ、みなさま是非!


Transformation-Mockup_Digipack-500

2016

- Media,log [ コラム ] — s_o @ 01. 1月, 2016

 
Deeply appreciate what i know and what i didn’t know.

Wish your wonderful 2016, wonderful life and wonderful future.

i wish your wonderful world.


今まで知り合った全ての方々に、そしてまだ知らない全てのものに、心からありがとう。

どうか素晴らしい2016年を、素晴らしいこれからを。



film & artwork: Acci Baba
sound design: sub-tle.
music: Louis Armstrong – ‘what a wonderful world’
lyrics: G.P.Weiss & G.Douglas




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(c) 2016 sub-tle.