Felder Intervention #12 [executed]

- Installation,info [ 告知 ] — s_o @ 29. 4月, 2016

photo by kiyasu [TechnikLAB*]

the pended Felder Intervention #12 was held on 25.04.2016.
360° sound system which has optically / physically reflected by Tokyo skyscrapers.
Jan St. Werner’s ‘Felder’ sounds has reverberated in the middle of Tokyo.

thank you Jan, Kiyasu and all !

天候不順のため延期となっていたインスタレーション『Felder Intervention #12』が、2016年4月25日に実行されました。

Felder Intervention #13

- Installation,info [ 告知 ] — s_o @ 27. 4月, 2016

Felder Intervention #13 + photo by kiyasu [TechnikLAB*]

Birds singing, lake waves beating the shore, boat & airplane’s flange noise panning, fishes jump up and water splash around, children throw the stones which leaving widening rings on the water —and Felder sound draw the subtle sound ripple on the water. A miracle Felder moment.

Felder Intervention #12

- Installation,info [ 告知 ] — s_o @ 21. 4月, 2016


it began to rain during setup…

the installation date would be changed. (TBA)


Felder Intervention #12は、雨天の為、延期となりました。



eternal return

- Installation,- Media — s_o @ 12. 4月, 2016

eternal return

sound design & compose music for ‘eternal return’ by acci baba.
acoustic drum by Mohammad Reza Mortazavi.

‘eternal return’ is an installation & film artwork conveying a immortal message to mankind to provoke a sense of obligation for the time being. The verse is spoken by an ape represented as an artificial intelligence, speaking out Nietzsche’s philosophical context of ‘superman (übermenschen)’. The film version of this work is mounted on a NASA spacecraft OSIRIS-REx to be launched in September 2016, where it will stay in space for millennia.


インスタレーション・映像作品 ‘eternal return’ のサウンドデザインと作曲を担当しました。
>> 詳細 – accibaba.com
>> acoustic Drum by Mohammad Reza Mortazavi.

‘eternal return’ は2016年9月に発射されるNASAの宇宙船OSIRIS-RExに搭載され、



eternal return / . – . .-. -. .- .-.. .-. . – ..- .-. -.

This film work will be on board NASA's spacecraft OSIRIS-Rex scheduled to launch on September 8th, 2016, staying in space for millenia.


Concept/Art/Film: Acci Baba (JP), http://accibaba.com
Sound Design & Music: sub-tle. (JP), http://sub-tle.com
Acoustic Drum: Mohammad Reza Mortazavi (IR), http://moremo.de
Assistant of Photography: Anthony Salamin (CH), http://anthonysalamin.ch
Production support: Day O Productions, Graffit,LLC

—-Description of the work——

‘eternal return’ conveys a immortal message to mankind to provoke a sense of obligation for the time being.

The artwork has been articulated in a short film based on the actual installation artwork created by Acci Baba. The caption is cited from Friedrich Nietzsche’s ‘Thus Spoke Zarathustra”, where Zarathustra speaks out the context of ‘superman’. In the film, the verse is spoken by an ape inside a TV represented as an artificial intelligence derived from our technological development.

The artwork was realized using an abandoned cathode ray tube TV found on street. By refurbishing, the rubbish returned its life to be used as another purpose. The ape has been displayed in the TV using 3D animation technique, allowing it to speak out verses freely. The artwork plots a question through an ape to indicate our accelerating materialism in our system without the true means of continuum. In order to provide a multidimensional perspective, the artwork metaphorically expresses corresponding elements such as; material and spirit, past and future, beginning and end, devolution and evolution.

The ape is often used as a common icon to resemble our beliefs and intelligence. Hanuman from the ancient India, Sarutahiko from old Shintoism, symbol of Three Wise Monkeys from ancient civilizations. In the Kubrick’s '2001: A Space Odyssey' the ape discovers the usage of tools underlying the birth of our technological era. First ever primate to be out into space was a monkey to investigate the biological effects of space travel. The artwork pays homage toward historically used symbolism and confronts today’s subjects through Nietzsche’s philosophical concepts.

‘eternal return’ gives a moment to think over our behavior and the system that amplifies the endless ego. It concludes its purpose by creating ironic connections between artificial intelligence and the viewer, questioning the zeitgeist in these times of a rapidly shifting paradigms.

(c) 2019 sub-tle.